Fight Club :: essays research papers

     Fight Club appears to be a sequel to Clockwork chromatic (1971) for the yuppie X Generation, half of whom see their p bents get a divorce and are fatherless teenagers. (The word "clockwork" is in the script) rogue (played by Edward Norton) narrates the film, explaining how his 1997 tone of white-collar employwork forcet and middle-class materialistic success bored him until he fell under the spell of Tyler Durden (played by Brad Pitt), who takes on temporary jobs so that he can engage in mischief to track with his own identity crisis. In the early part of the film dump has insomnia, but his physician will not give him stronger sleeping pills, urge him instead to attend alcoholics anonymous-type groups so that he will meet those with documentary problems. Initially, the nightly meetings provide enough emotional catharsis so that rapscallion can get a good night sleep. Then Marla (played by Helena Bonham Carter), another faker, starts attendin g the same meetings, so impotent jackass no longer enjoys the experience. Looking for something different, one night in the position lot outside a bar Jack meets Tyler, who asks him to slug him. The upheaval of the fight prompts them to repeat the ritual, and ultimately Jack abandons his yuppie lifestyle to live in Tylers ramshackle house ( afterward Tyler secretly plants a bomb to destroy his condo). Others, honoring the two slug it out, soon want to fight, too, whereupon Tyler organizes the Fight Club, eight rules in all, which meets in the basement under the bar. (The eight rules appear patterned on the famous 12-step programs of the AA groups.) Interchangeable parts in an overbureaucratized world, where everyone is employed and thus feels no compulsion to become politically active to get politicians on the ball, the clubs members perish to the working class in contrast with middle class Jack and Tyler. Fight Clubs camaraderie provides the psychological support so that they can retort to their own animalistic resources. Only Tyler enjoys sex (with Marla). The others seem so unrefined in appearance that they have obviously not been able to set about release via sex that they enjoy a nihilistic mens club, where men are topless, is a clear sign of repressed homosexuality. Only with showing muscle can they feel like men after their demasculinized postindustrial jobs. In due course, Tyler changes the Fight Club into Project Mayhem, a club with fascist rules that stockpiles explosives in Tylers home preparatory to blowing up towering rises.