Setting and Character in Old Man Goriot

one could easily argue that delineation of literary naive realism rests in the authors theatrical role of conveying verisimilitude. But is realism sound the representation of carriage of being true or real? Raymond Williams argues that realism is not just a electrostatic appearance and a conscious commitment to spirit psychological, social, historical or somatic forces. (p262). Balzacs Old piece of music Goriot, disembowels realism through its scope and characters that are not just mere representations of something real but provide a sensation of concrete, an underlying truth that cannot be refused.\nIn his need to depict realism, Balzac creates an entirely plausible mount in Old small-arm Goriot, submerging the reader in the reality of a swindle mythic Paris-a forest in the new sphere, diseased with savage tribes (p101) indicative of the historical change in France. The tragic situations faced by his characters show deliberately degrade scenes in the most hardh eaded of settings. Balzacs relentless description of fictional setting of places akin Maison Vauquer, Hotel de Beauseant, Restaud Home and Eugenes flat tire hypnotise readers into believing their concreteness.\nThe start scene of Maison Vauquer, the boarding house, is an tenuous example literary realism. The pretended house is described from the outside, with a new exhaustiveness of detail its garden patch, right angled position, geraniums and oleanders, its acidulent coat of varnish (p6-7). The extensive accumulated descriptive of the inwardly makes the surroundings more plain and factual (Williams p258). The reader witnesses the baseness and not yet dingy but stained (p10) poorhouse in a succession of adjectives ilk stale, mildewy, rancid cracked, rotten, shaky (p6-10). Balzacs realism seems more magnetized as he uses atomic number 42 person narration, directly addressing the reader, it chills you, clings to your tog (p9).\nComparison and juxtapositio...